• DE

1001 Nacht oder die Macht des Erzählens

Eine Stückentwicklung von subbotnik

For everyone aged 8 and over.

With playful delight, humour and curiosity, the group dives into the multi-layered universe of ‘1001 Nights’. In its version of the legendary story collection, the theatre collective subbotnik combines live radio play with live music and performance.

 

The original version of the production ‘1001 Nights or the Power of Storytelling’ was developed by subbotnik (Kornelius Heidebrecht, Martin Klöpfer und Oleg Zhukov) at the Nationaltheater Mannheim in 2018.

Dates
Tue 29.04. 11:00
Tickets call: 0208 599 01 34
Wed 30.04. 11:00
Tickets call: 0208 599 01 34

Information

Premiere

24.11.2024

Duration

80 minutes

Location

Theater an der Ruhr
Akazienallee 61
45478 Theater an der Ruhr

Cast

  • Dagmar Geppert
    The dressmaker
  • Kornelius Heidebrecht
    The doctor
  • Martin Kloepfer
    The tailor
  • Roman Mucha
    Bo, a young man
  • Oleg Zhukov
    The cook
  • Maria Trautmann
    Mira, daughter of the tailor

Team

  • subbotnik
    Concept, direction, music and stage
  • Dijana Brnić
    Assistant Director
  • Lucy Gerauer und Roni Kalkan
    Technical support
  • Katharina Lautsch
    Head of wardrobe
  • Marion Leinders
    Make up

Andreas Falentin, Die Deutsche Bühne:

‘[The narrative structure] works [...] splendidly for a young audience, through the rhythm and timing of the performance, through the precise, unaffected play behind the fourth wall. The audience is not captivated by the form and tension of the fairy tales, but by the broad narrative flow. Every scrap of sound, every little piece of music, every look, every word contributes to this, there is no decorative rest. And the images get bigger as the evening progresses. At the climax, the familiar genie from the bottle becomes a giant pop-tank with the distorted face and voice of actress Dagmar Geppert.’

Andrea Müller, WAZ:

‘At a performance for school classes on Tuesday morning, the lively acting of the ensemble and the clever directorial ideas were very well received. The story, which is actually several imaginative tales in one, captivated the young audience.[...] The children (and adults) were also impressed by the fantastic light and sound effects, which made each story even more fascinating.’